As he develops his artistic expression, the phase that incorporates geometric elements gives way to the free representation of other forms, which possess even deeper and higher levels of artistic symbolism. In the leaf-images, various figures, faces, and faceless faces come to life, as well as shadows, hollows, and lights. The human figure emerges, its shadow, figuratively, the repetition of shapes, serially, palpably, but it is the emptiness or presence that reminds us of absence.
The leaf and the writing form the foundation of everything, the base that is the only essential support and connector of all things, the artist's authenticity. In these works of art, emotion is more noticeable, just like the messages that reflect the author's thoughts: efforts to make the world a better place, as well as self-honesty and personal growth.
It is widely known that no work of art can be fully interpreted or decoded in a way that allows for the root-level free vision, understanding, and conclusions. And not just for the viewers, but also for the creators themselves. By adding various shapes, figures, and authentic manuscripts to the leaf-images, László Retek allows us to stand before his paintings as authentic observers, which means that the meaning of the work is strengthened in us. It can be strong or weak, reliable or timid, harmonious or disharmonious in its own environment. But beyond all of this, we become more aware of its meaning, the true essence of art, the fallen values in today's world. Contemporary art often offers ready-made understanding models, as if forcing us to accept messages, thoughts, or experiences. However, with László Retek, we return to a broad interpretation and experience, precisely through the dimension of perception. Without this, there can be no true experience or completeness that comes to life in us when we distance ourselves from the creation.
Based on the lasting constancy of motifs and themes on Retek's canvases, one can speak of a mature visual artist who is capable of realizing his obsession on the canvas and re-engaging with it, always seeking more and better, yet always with noble intent, to provide some support to a world that is lost, forgotten, or entirely new and stable. This is where the greatest value of true art lies. No brushstroke is thoughtless, mechanical, or irresponsible, because the creator consistently gathers his ideas, thoughts, notes them down to engage with them on a daily basis, then evaluates and perfects them. From this perspective, he appears to be committed. The conclusion follows naturally that László Retek is deeply dedicated to his own talent, and that we can expect much more from him.
Jelena Milošev